Two Colors + One Brush = Fun

 

A quick and easy card front today. Over the years, I have often been inspired to work on darker paper surfaces. In this case, black. 

When painting on black, you want to use strong, opaque or semi-opaque acrylic paint. Your brush needs to hold its shape so the colors blend or bleed together. (Double load your brush -  one half with the darker color and the other with the lighter or accent color.) If the brush starts to feel like the color is to thick, then clean the brush with water before reloading.

When applying a decorative stencil with powdered colors, use a sponge applicator or soft brush. In this case, I used a soft make-up brush. If using a clear plastic, avoid the painted area so the design appears to be in the background.

That is it! Have fun!

Materials for this project:

• Strathmore ArtAgain Black (445-109) 60lb, 50% recycled
• FolkArt Enamel - Thicket and Yellow Light
• Royal and Langnickle - Zen #12 Flat (Shader) Z-735
• Stencil - design of your choice
• Pan Pastel - Bright Yellow Green Tint
• Soft cosmetic brush

Thank you for popping in today!

Wishing a great and creative experience. Just make it relaxing and fun!

May God bless you and yours, everyday!

Finished:

 Delicate and Slightly Old Fashioned…

I love roses. No matter what color – I just love roses!

With my love for these beautiful blooms, I cannot seem to be able to plant and grow these delicate beauties. So, with that disappointing realization being said, I buy rose stamps and try to express my love of these exquisite blossoms through colorizing. 

When discovering this Deep Red cling stamp (made in the USA), there was no hesitation -- “see it, want it, bought it.” (Isn’t that our crafter’s motto?) 

It is not always easy to determine how the finished design would look. A lot of the look starts with the stamped impression. Sometimes I’ll do a few practice pieces before settling on a look. This time, I just used my imagination and tried visualizing:

• black inks just might be too overbearing for this smaller design.

• neutral tones (no-line look) did not feel right for me either

• finally decided upon StazOn’s, Stone Gray.

Several years ago, there was a photo taken in an old-fashioned rose garden of a lovely peach rose. This is my attempt to create that look.

Flower: Very lightly, color the outer edges of each petal with a Cream-colored pencil. Take the color about ¾ of the way towards the center of each. (That should be into the shaded lines. Then, using a Light Peach-colored pencil, apply lightly from the shaded areas outwards outer edges, letting the Cream edges show. This should give you a soft, blended appearance.

Leaves: Create the leaves mostly using the same technique. The three larger leaves are mostly Limepeel (yellow green) base color and shade or accent with Green Ochre (olive green). The leaves that are mostly the Stone Gray color, use mostly the Green Ochre. 

Stems: Make sure your Green Ochre is sharp and fill in the stem.

Finish: The rest of the card is up to you. 

Materials!

• Rose Pen & Ink by Deep Red

• StazOn – Stone Gray

• PrismaColor Pencils – Cream, Light Peach, Limepeel and Green Ochre

Thank you so much for checking in. Hope you will do so again in the near future. 

May God watch over you and bless you always.

“Ghost and Mrs. Muir”

From my Facebook article about a week ago: “This theme has haunted me for a very long time. The movie is one of my all-time favorites – an unusual and beautiful love story. The impossible becomes possible.”

The larger card front pictured here was actually my practice piece. There are many flaws, and I had been reluctant to show it – but for some reason, it needs to be seen.

So, this week, I tried this again with more care for stamp placement and love for the theme. 

Both samples were done with Prismacolor pencils and PanPastels. Still need to turn these cover pieces into cards. Will get to that later. 

NOTE: I did learn (rather relearned) that it is best to use masking paper than cardstock to block out images when trying to add a background to an already stamped design. 

The two stamps used in this project are:

• Romantic Stroll by Deep Red

• Terraced Lane by Penny Black

Thank you so much for stopping in.

May you have a fantastic week and create your way.

God Bless

Friends ...

This has been one of those exciting card fronts. I’ve done this stamp a few times finding it so receptive to various mediums. I’ve used Prismacolor colored pencils several times and built-up several layers of different shades for the desired look - those I did on watercolor papers. (See sq. card on green below). But today, let’s just lightly discuss OLO Alcohol Ink Pens applied to the smooth X-Press-It Blending Cardstock. 

Stamp "Wonderful in Every Way" stamp with London Fog and let dry or, if you prefer, emboss the design. Gather the colors you will be using. (See the OLO color list).

HINT: If you are new to blending, do a few practice pieces to get the feel and look you desire. It does take a little practice.

Let’s work with the flowers first. For this project, select Red Ochre, Pudding and Peony. Then, using the darkest color (Red) apply a scribbling of color onto your mixing surface. You will need to do this several times during your painting. Then load Pudding by swiping the tip through the Red Ochre … applying the blended mixture from the flower’s center. The mixture will start to look more like the Pudding color so you will have to repeat the color blending many times. Let the Pudding  become the main color of each pedal. Then, blend the Peony on top of each pedal to add a little highlighting.  

The stems are just a light touch of the Red Gray. 

The leaves are blended the same way as the flower. The base color is Fern with Avocado swiped through and accented with Sea Foam. For some excitement, just lightly touch the leaves with Pudding to lighten a little.

For more leaf definition, add detail veins with either a black or sepia.

Dot the stamen tips with Acrylic Painter White and let dry.

To clean your blending surface, use Alcohol Blending Solution and a dry paper towel.

The rest of the card is up to you. I love working lighter shades of green PanPastels over a decorative stencil, avoiding the painted area. The background for this and so many different flowered stamps look great with a brick wall behind or geometric designs. Let me know what you try. 

Materials:

• Cardstock: X-Press It - Blending Card – 8.5x11 White                 

• Stamp Ink: Memento – London Fog

• Stamps: Pinkfresh Studio: Wonderful in Every Way and the word Friends from the Always Uplifting set

• OLO Alcohol Ink Pens: OR2.6 Red Ochre, R5.1 Peony, YO2.2 Pudding, RG6 Red Gray 6, YG8.7 Fern, YG2.5 Avocado, and YG8.2 Sea Foam

• Accent items: Micron 01 Black, Prismacolor Chisel Tip Marker -Sepia, and Miaosun Acrylic Painter – White

• Mixing/Blending surface:  A glass/glazed tile or old Enamel Baking Pan 

• Ranger’s Alcohol Blending Solution

• Backgrounds: PanPastel – light green shades

• Stencil of your choice

OOPS!

This was completed (after a little disaster) with

Prismacolor colored pencils 

and die-cut into a square! 

Thank you for stopping by. Hope you will leave a comment. 

Till next time - May God Bless You And Yours

 Hummingbird & Columbine – Retired but Not Forgotten!

You never know what treasures you will find hidden away within your own “safe place stash!” I fell in love with this one several years ago and placed it in that “safe place.” Have thought about it, looked for it and finally, this past week, found it! Oh, so happy! And so many other exciting older, retired stamps! I feel like an old kid getting a new toy!

Having used colored pencils for over 25 years, I have developed a passion for multi-color blending. My first challenge was considering the color combinations for that delicate little hummingbird. Their color range is beyond my normal blended color palette ideas. Also, I want to try to capture that iridescent appearance. 

Basic Materials: 

• Stamp from Whimsy Stamp by Dove Art designs - retired.

• Strathmore Watercolor ready cut – 140lb – 5x7 in.

• VersaFine Clair – Morning Mist

• Colored pencils by PrismaColor

• Shimmers by Aqua Shimmer Glitter Gloss

• Micron 01 Black

Hummingbird: Selecting the colors was easy – just put my hand into my pencil box and select! Green/blue/yellows! More?

First, apply a light coat of Lime Peel (greenish yellow) over portions of the head and back. To that lightly apply Peacock Blue to the same areas. Now, lightly apply the Lime Peel over the remainder of the body. Highlight with the Cream and Canary Yellow. For a little more life, highlight the body near the wing with a touch of Scarlet Lake (red) and Mineral Orange. The wing and tail feathers use a soft touch, randomly stroke yellows, orange and lime. Keep them very light. His beak is Mineral Orange with Canary Yellow highlights. 

Still wanting to get that iridescent appearance, I used Aqua Shimmer Glitter Gloss over the entire hummingbird.

Columbine: I was amazed as to the vast variety of color within the Columbine family. I had been thinking of the traditional red and white combo but sort of changed my mind. Softly, using overlapping circular side strokes blend the Scarlet Lake (red) with Mineral Orange, then highlight with Cream and White. Add Lime Peel for the stamen with a touch of Canary Yellow.

Detailing: This is optional – Use Micron 01 Black. Refer to photo.

Background and trim: background colors are Peacock Blue and Lime Peel. I used my finger to blend and soften the background. 

Thank you so much for stopping by.

If you have any comments, I would love to hear from you.

Remember:

All of us do not have equal talents,

but all of us should have

an equal opportunity

to develop our talents.

(John F. Kennedy)

No Surface Border Taping… Part 2

Thank you for returning for the instructional part of the last project. 

For this phase kept the Aperture in place. 

FLOWERS AND STEMS: If you glance at the material list, the colors are listed as they were used. Usually, I prefer to apply the lightest first. When applying and blending in the darker shades, go lightly over the lighter and build up the color blends. After applying several layers, try using a blending stick. That drags the colors together. 

BACKGROUND: The Eye-Shadow brush may seem like a strange item. They work beautifully, especially with PanPastels (powdered pigment color). A little goes a long way! Just lightly touch the brush onto the surface (do not dig into the color), tap off excess from the brush and “paint.” The results on blending these colors is really thrilling. Let this set a few minutes. You may want to lightly blow the excess color off and let the color settle. Now carefully remove the tape and lift the aperture. (Clean both sides of the aperture with a damp cloth.)

To set the color, use a spray finish sealer to apply one or two light coats. Let dry between coats.

OPTIONS: This was another area I wanted to explore: how older colored pencils would react with a VersaMark application. In the past, I found that moisture with most colored pencils does pull the color but far from what occurs with watercolor pencils. Use the brush end of the VersaMark brush. Then apply the embossing powder and tap off the excess. Heat set per normal.

The white boarder was a little more than I preferred so I trimmed it back to approximately ¼”.

Assemble the card to your liking!

Material List:

• Artistico Extra White 100% Cotton Hot Press 140 lbs., 5” x 7” pre-cut watercolor paper

• Sweet Poppy Stencil, Rectangular Aperture SP6-125R 

• Penny Black, Awaken, 40-507

• VersaFine Claire, Morning Mist

• PrismaColor (colored pencils): Lavendar PC934, Lilac PC956, Parma Violet PC1008, Mineral Orange PC1033, Lime Peel PC1005, Marine Green PC988, White PC939

• Blending stick

• PanPasels, shades of yellows (lights to darks)

• Eye Shadow Brush applicator 

• Spray sealer

• VersaMarker pen

• Super Fine Clear Embossing Powder

• Embossing Gun

• Sentiment stamp of your choice

• StarDreams – Amethyst (I think)

• Double-sided tape 

• A7 (5.25” x 7.25”) Envelope

Thank you again for stopping by. I am looking forward to sharing a few more ideas for making cards. Hope you will join us again.

  

No surface border taping…

Before I start, I have to apologize - It's been a long time since I posted last. Time got away from me as we had important family matters that took my attention away from here. Hope you will again add my site to your "what are they doing now" list. Thank you.

And now:

Recently, I have been trying to find a way to create a nice clean border for my card fronts without using tape on the front side. If you know me, you will remember that I only have one arm. That has created a few challenges. Especially when using any kind of removeable tape. 

While working on my Christmas cards this past year, there were several incidents with “paper-hungry-sticky-tape” problems! A few were fixable but a few were delivered to the trash-can!

I came up with an odd solution: I tried using an older metal 5”x7” aperture/stencil (center opening 3 ¾”x6”) by placing the aperture on a lightbox glass surface. Then I laid a piece of precut 5”x7” watercolor payer on top. With the light on, I could see to center opening shining through the paper. That made it easier to center the workable area and created a lovely border surrounding the workplace. I secured the paper on what would be the back side of the card front with small pieces of tape.  

That made it so easy to work on this project: 

I still need some time to figure how I'd like to present this card front. I have an idea, it will be my next project posting along with the material list.

Thank you for looking me up. I pray you have a great week and will stop in again in a few days. Our coffee pot is always ready and the cinnamon tea only takes a moment - let's create!